Victoria and Abdul (2017). 4/5 stars for this moving royal comedy drama.

image still victoria abdul garden
Standard

Film review by Jason Day of Victoria and Abdul, starring Judi Dench as an aged, infirm Queen Victoria and her real-life, close friendship with her Muslim teacher Abdul Karim (Ali Fazal).

Historical/Period/Epic

image four star rating very good lots to enjoy

 

To like this post, comment on it or follow this blog, please scroll to the bottom. Use the search function on the left of the screen to look for other reviews and updates.

Synopsis

Many years after the death of her beloved Prince Albert, Queen Victoria (Judi Dench) is still in mourning and has gained a huge amount of weight, owing to the large number of official meals she has to sit through.

Catching her eye at dinner one day is Abdul Karim, a lowly Muslim clerk from India who has been brought to her to give a present. He is tall, handsome and as greedy and obsequious as anyone who circles the Queen for favour. They soon become close friends and she promotes him to be her official teacher in Muslim culture.

Scandalising court, her family and courtiers launch an investigation into his past in an effort to oust him and restore their own fortune hunting.

Review, by Jason Dayimage poster victoria and abdul dench

As time goes by Queen Victoria, the British monarch associated with being permanently ‘unamused’ and the embodiment of all that was morally upright, family centred and impeccably well behaved according to the standards of the day, is shown to be quite the opposite.

In a seemingly never ending sequence of film and TV accounts of her life (tune in to the Yesterday channel for some docu linked to her or her children) she has been revealed to be an emotionally manipulative, child hating, highly sexed woman of many passions.

In this drama, based on the book Victoria and Abdul by Shrabani Basu (yes, this is also a TV programme) she bucked the White Imperialist trend of the day by growing intimately, almost romantically, attached to her Muslim servant later teacher Abdul Karim.

Very much against the social norms of the day when those of a different ethnicity would have had little interaction with the higher echelons of polite British society.

Although there is a little about them that is polite. Slamming doors in Abdul’s face, keeping his friend (Adeel Akhtar) in England when the climate is slowly killing him, inspecting Abdul’s genitalia and whispering news about a sexual infection, this England really is as “barbaric” as Akhtar describes its food in the opening scenes (the irony of English people viewing these ‘coloured’ men in the same light is frequently highlighted to the audience).

Food and eating form extended satirical contrasts about the differences between India and England throughout the film.

From Queen Victoria noisily slurping soup and dribbling most of it down her chin during an Olympic state dinner, to her doctor commenting that her diet needs more fibre as “the royal colon needs a little roughage”, this film starts as a broad gastronomic spoof.

It is a film very much of two halves in fact, the first being a lightly amusing (if rather infantile) comedy of manners and etiquette. The second plunges into a deep emotional drama about social position and the longing for real, quality companionship. It also features a protracted death scene

One can almost imagine Oscar Wilde having penned that first half, tittering delightfully as he describes Queen Vic’s eyes widening suggestively as a brown, phallic jelly presented by her Indian servant wobbles from side to side.

Dench completes her Oscar nominated performance as Victoria in the more accomplished but less bawdy Mrs Brown (1997) by shading as an old woman looked upon and judged by many but understood by so few.

Fazal complements her with a soulful turn as a man who, despite his garrulous and manipulative nature, came closer to appreciating her virtues and needs than anyone else.

Frears as a director is getting used to handling this sort of nifty, psychologically astute monarchal drama after the Oscar-winning The Queen (2010), but the accent on cheap, music hall humour stops this from being as special.

For more, see the official trailer.

Cast & credits

Director: Stephen Frears. (112 mins). BBC Films/Cross Street Films/Perfect World/Working Title. (PG)

Producers: Tim Bevan, Eric Fellner, Beeban Kidron,Tracy Seaward.
Writer: Lee Hall.
Camera: Danny Cohen.
Music: Thomas Newman.
Sets: Alan MacDonald.

Judi Dench, Ali Fazal, Tim Piggott-Smith, Eddie Izzard, Adeel Akhtar, Michael Gambon, Paul Higgins, Olivia Williams, Fenella Woolgar, Julian Wadham, Robin Soans, Simon Callow.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s