Future movie release…w/e 1 March 2013

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Acoustic Routes – Billy Connolly narrates this documentary about the guitarist Bert Jansch. No official site (though Glasgow Film has the trailer here), but the film will be showing at key cities (screening details here).

Arbitrage – one of the morstcomplicated to pronounce films of the new year, Richard Gere stars in another economy/credit crunch-slanted thriller, as a hedge fund magnate trying to sell of his empire before the banks discover the massive fraud he’s been indulging in. Co-starring Susan Sarandon and Tim Roth. Official website is here, showing in most places.

The Attacks of 26/11 – Hindi drama that tells of the Mumbai terror attacks in 2011. The official Facebook page is here and the film will be showing at key cities.

The Bay – it’s been a few years since Barry Levinson’s last stint in the director’s chair (2008’s What Just Happened). He returns with this Blair Witch style ‘mockumentary’ about an ecological disaster that occurs off the coast of a quaint Maryland town. The official site is here and the film will be showing at key cities.

Broken City – ex-cop Mark Wahlberg goes on the vengeance trail after being double-crossed…by mayor Russell Crowe. Catherine Zeta-Jones stars in this thriller from director Allen Hughes (one of the Hughes brothers behind From Hell).  Official site is here.

Caesar Must Die winner of the Golden Bear at the 2012 Berlin Film Festival, this Italian drama follows the preparations behind the annual play staged by inmates at the high security Rebbibia prison. Shakespeare’s Julius Caesar is the choice this time around. Official New Wave Films site is here, but this will only be on a limited run.

Gangs of Wasseypur Part 2  – second installment in this sprawling Indian crime drama filmed, like all good sequels, back-to-back. The story of vengeance in the first film has now consumed the entire town of Wasseypur. Wikipedia has the full low-down of the film here, but the Mara Pictures’ home page has the screening locations here.

The Gospel According to Matthew – Pier Paolo Passolini’s religious drama from 1964 was controversial in that for a film-maker who courted controversy throughout his career, it was the Catholic Church who loved this literal filming of the gospel and his leftist colleagues who thought he had sold out. BFI’s website has the screening locations here.

Hi-So – bittersweet romance set in Thailand, post-Boxing Day Tsunami with Thai star Ananda Everingham. Official day-for-night pictures site is here, detailing the handful of cinemas so far screening the film in London.

Michael H. Profession: Director – director Michael Haneke hit Oscar big-time this year, winning the award for best foreign film for Amour and seeing his 84 year old star Emmanuelle Riva nominated for best actress. This documentary from Yves Montmayeur follows his career, using Amour as the central film to explore his work.  Official website is here, showing at key cities only.

Safe Haven – another Nicholas Sparks (The Notebook) book-film adaptation, this stars Josh Duhamel and Julianne Hough in a slushy, soft-focus romance about a young woman’s struggle to love again. Official Facebook page is here and, appropriately for such a soggy movie, the country will be ‘saturated’ with screenings.

Sleep Tight – Rotten Tomatoes has given this Spanish horror a freshness rating of 91%. Interesting sounding plot, in which a creepy concierge, convinced he was born to be unhappy, sets about winding his tenants up. Trouble is, new girl Marta Etura proves immune to his attempts. He sets about upping the ante to make her uncomfortable. Wikipedia has a few extra tit-bits of info here, but this will be on a limited run only.

Stoker – acclaimed South Korean director Chan Woon-Park (Old Boy, Lady Vengeance) helms his first American feature in which Mia Wakowski’s weird Uncle Matthew Goode moves in after her dad dies. Suspecting him of funny goings on, she none the less becomes infatuated with him. Unstable Mum Nicole Kidman rounds off the bonkers family. Official Fox site is here; but will be screening at key UK cities only.

Trashed – good things expected of this environmental doc, with Jeremy Irons narrating and Vangelis providing the music. The focus of the film is the rubbish we dump and dispose of. No screening details yet, but the official site has a section to be updated here.

And as of Tuesday 5 March…

Verity’s Summer – sounds like another Nicholas Sparks novel slapped across the silver screen, but this has considerably more grit to it. A teenager on the Northumberland coast uncovers some uncomfortable truths about her policeman father’s role in the torture of Iraqi prisoners. Official website is here; there are details of a few of the screenings here.

And the winner is…Academy Awards 2013

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Not too many surprises this year…DDL got Best Actor for Lincoln (although no one else was seriously in the running).

Best Actress to Jennifer Lawrence – I did think this might go to Emmanuelle Riva for Amour but I think Lawrence is a popular winner.

Best Film – Argo. Well deserved, shame Ben Affleck wasn’t nominated for Best Director, as Ang Lee winning for Life of Pi seems completely odd, an outlier win if ever there was!

Still, that’s part of the fun of Oscar, you never know which way his sword will swing.

Full list of winners can be found on the Oscar website right here.

Hitchcock (2012). Film review of the drama about the making of Psycho (1960)

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Drama

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Future movie releases…w/e 15 Feb 2013

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For Ellen – Paul Dano (There Will Be Blood, Ruby Sparks) stars in this drama about an absent father who, when served with divorce papers by his estranged wife, suddenly realises he doesn’t want to give up on fatherhood altogether and treks across America with his lawyer to see his daughter. Official Soda Pictures website is here; showing at key cities only.

Madame de… – Also released under the title of The Earrings of Madame De…this is one of Max Ophuls’ stylish romantic tragedy’s that follows the fate that befalls a group of interlinked characters when a peniless Countess (Danielle Darrieux) sells a pair of the expensive earrings her husband (Charles Boyer) gave her as a wedding present. Distributed by the BFI, this will be shown in these following London cinemas.

Mea Maxima Culpa: Silence in the House of God – this documentary recounts the story of four brave deaf men who in the first known case to go public, set about exposing the Catholic priests who abused them as children. Featuring the voices of Chris Cooper and Ethan Hawke, the film will be showing at key cities only and the official site is here.

Reign of Assassins – despite being initially released in 2010, this martial arts actioneer starring Michelle Yeoh as a former assassin who tries to go straight after being counselled by a Monk seems to have suffered delays due to the sale of distribution rights. Released to key cities only; Wikipedia has the low-down here.

Sammy’s Great Escape (3D) – animated 3D film from Belgium about a couple of turtles who are suddenly scooped up by a poacher. Showing nationwide, IMDb has the details here.

Side By Side – Martin Scorsese made a shock announcement last year that, despite being an ardent fan of celluloid, technological demands meant it was no longer viable to film in anything other than digital. This documentary from Keanu Reeves of all people features him, Danny Boyle, George Lucas, David Lynch, James Cameron and a host of others talking to Reeves about the pros and the cons of switching to digital film-making. The official Axiom Films website is here and this will be showing at key cities only.

And on Monday 18 February…

Ollie Kepler’s Expanding Purple World – strange sounding drama with Edward Hogg as an astronomer who is trying to get over the death of this wife, hampered by a broken promise that comes back to haunt him. Official website is here, but is on a limited release only.

And on Thursday 21 February…

The Butterfly’s Dream – this lush looking Turkish romance follows the lives of two poets who compete for the hand of a beautiful girl by writing her the best poems. Official site in English is here, but will only be showing on a limited release.

Lincoln (2012)

Image of Daniel Day Lewis in the film Lincoln.
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Film review by Jason Day of the biographical political drama about US President Abraham Lincoln. Starring Daniel Day-Lewis and Sally Field.

Historical/Period/Epic

 

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Future movie releases…w/e 1 February 2013

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Antiviral – very strange horror from Brandon Cronenberg (yes, son of the illustrious David) starring Caleb Landry Jones as the lab technician who harvests viruses from celebrities to sell off to their deranged fans. After infecting himself with the virus that kills uber-celeb Sarah Gadon he becomes the target for her crazed followers. So Branders is a chip off the cinematic block? Official site is here; showing at key cities only.

Bullet to the Head – showing nationwide, this Walter Hill directed revenge thriller stars Sylvester Stallone as a hit-man who takes on the bad guys when they kidnap his daughter (Sarah Shahi). Trailer seems classy and Stallone has some killer one-liners (“You see, I’m a people person”). Official US site is here.

Bullhead – Rust & Bone‘s Matthias Schoenaerts stars as a cattle farmer who gets into trouble when he initiates a dodgy deal with a mafia type beef baron. Brokeback Mountain it ain’t! The official site is here and the film will be showing at key cities only.

Chained – it must be a week for gory North American films; Jennifer Lynch directs this horror about a taxi driving serial killer (Vincent D’Onofrio) and his young protogee (Evan Bird). Bird must decide whether he follows in D’Onofrio’s footsteps or makes a break for it on a night cruising the streets for victims. No official site, but IMDb has the technical details here and, mysteriously, this is on a ‘limited release’ only.

Cirque de Soleil: Worlds Away 3D – James Cameron is one of the big names behind the camera of this 3D circus/love story, showcasing the talents of the titular acrobatic troupe. It looks sexy and beautiful. The official (if rather ponderous) website is here and the film will be showing at key cities only.

Do Elephants Pray? – Jonnie Hurn is the advertising Exec who is shaken out of his dull life by free-spirited French girl Julie Dray. Sounds slightly samey, although this one has a bit more bite than the usual mid-life crisis wakes up story as Dray puts Hurn through a series of demoralising tasks. Official site is here and (for once) contains details of exactly where you can catch the film.

Flight – featuring possibly the most aggravating performance to be Oscar nominated this year, Denzel Washington stars as the ridiculously calm and clear-headed pilot who saves many lives during a daring move as his plane crash-lands. Trouble is, the experts who analyse his moves are unable to replicate it and an investigation finds he was drunk the night before the flight. He goes from hero to zero and it’s up to lawyer Don Cheadle to help him out. Robert Zemeckis directs from a script by John Gatins (Real Steel). The official site is here and it will be showing nationwide.

Hyde Park on Hudson – delectable sounding comic drama with Bull Murray starring as US President Franklin D. Roosevelt, hosting the British King and Queen (Sam West and Olivia Colman) for a weekend. They are trying to shmooze for American support during WWII, but FDR’s domestic life might complicate matters. Official Universal UK site is here; the film will play nationwide.

A Place in the Sun – Montgomery Clift is the socially aspirational guy who kills the dowdy factory girl carrying his child (Shelley Winters) so he can shack up with the factory owner’s daughter Elizabeth Taylor. Classic 1950’s melodrama from director George Stevens showcasing Clift and Taylor at their best – surely they were never lovelier than in this film? Official BFI website is here, but showing at BFI Southbank only.

Punk Syndrome – if Finnish punk rock is your scene, then this is the film for you. Showing at key cities; the Wikipedia page has a little more detail here.

Future movie releases…w/e 25 January 2013

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Hollow – British horror starring Emily Plumtree about an abandoned monastery that lures young people to commit suicide. Wikipedia site is here but only having a limited release.

The Last Stand – Arnold Schwarzenegger makes his big screen comeback as a small-town Sherrif who takes on a big drug Lord (Eduardo Noriega) who happens upon his small town. Official UK site is here, showing nationwide.

Lincoln – one of the big hitters for this years awards season, this is Spielberg’s Civil War epic with Daniel Day-Lewis as the titular 1860’s President who must wrestle with political in-fighting as he struggles with his conscience to try and free millions of slaves in America. Largely tipped to win at least the big acting Oscars (Sally Field and Tommy Lee Jones are also nominated, but in the supporting categories) this has the sweep of a big film at least. Showing nationwide. Official site is here.

Movie 43 – Despite the massive social media profile employed to promote this comedy, still no official site. Looks like a massive portmanteau flick with Halle Berry and Hugh Jackman et al…no idea (or much care) about what it is about though. Showing nationwide. Facebook page is here.

Race 2 – I love how with Bollywood films when you try to find out what the plot is, even the Wikipedia and Facebook pages tell you next to anything! Essentially though, this is a Bollywood Fast and the Furious. Wikipedia site is here and this is showing at Key Cities only.

Won’t Back Down – Seems like every year brings a new failing inner-city American school drama. Here, Viola Davis and Maggie Gyllenhaal try to sort theirs out to improve their kids grades. IMDb site is here, showing at key cities only.

Zero Dark Thirty  – controversial US drama (director Kathryn Bigelow was, according to rumours, denied an Oscar nod for best director here because of this film’s graphic torture sequences), Jessica Chastain stars as the committed intelligence operative who is involved in the hunt for Osama Bin Laden. Official site is here, showing nationwide.

The Hobbit: An Unexpected Journey (2012)

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Director: Peter Jackson. NewLine/Wingnut/MGM/3Foot7. (12A)

ACTION/ADVENTURE/FANTASY


 

 

Producers: Carolynne Cunningham, Peter Jackson, Fran Walsh, Zane Weiner.
Writers: Fran Walsh, Philippa Boyens,  Peter Jackson, Guillermo del Toro.
Camera: Andrew Lesnie.
Music: Howard Shore.
Sets: Dan Hennah.

Ian McKellan, Martin Freeman, Richard Armitage, Ken Stott, Graham McTavish, William Kircher, James Nesbitt, Stephen Hunter, Dean O’Gorman, Aidan Turner, John Callen, Peter Hambleton, Jed Brophy, Mark Hadlow, Adam Brown, Ian Holm, Elijah Wood, Hugo Weaving, Cate Blanchett, Christopher Lee, Andy Serkis, Sylvester McCoy, Barry Humphries, Kiran Shah, Benedict Cumberbatch.

SYNOPSIS

60 years before his nephew joined another fellowship, to destroy a magical ring that has the power to enslave all of Middle Earth, unassuming Hobbit Bilbo Baggins (Freeman) lives a comfortable, sheltered life in the beloved Shires. That is until the wizard Gandalf (McKellan) and a group of raucous dwarves (led by Armitage) show up on his doorstep. Bilbo is taken out of his comfort zone on an adventure to recapture the Dwarve’s fabled home city, taken years earlier by a ferocious dragon, encountering dangerous creatures and finding he has unexpected depths along the way.

REVIEW

Peter Jackson is a man who knows how to make big movies. Very big. Colossal in fact. And if he throws caution to the wind in terms of economy of scale, well good on him and so be it. What he is in dire need of however is a stopwatch. And a gutsier editor.

The combined length of his Lord of the Rings trilogy weighed in at around an arse-numbing nine hours (and that’s the slimmed down theatrical releases – there were extended versions released on DVD), King Kong concluded only after a rather unnecessary three hours plus. It is probably no surprise that he filmed so much footage for this adaptation of the first and singular novel in Tolkein’s Middle Earth series that it was easier to release it as another trilogy.

It also makes good box office sense; these films are expensive to make so two extra films means more box office ‘kerching’. It has also lead to an accumulation of rather a lot of protracted, repetitious, disposable events, scenes and moments in a film that runs to two hours 49 minutes in its original movie theatre version. The opening preamble, for instance, with the older Bilbo (Holm) and Frodo (Wood) seems tacked on to help audiences familiarise themselves with the first book being adapted last. Given the mighty publicity machine deployed though, the value of this scene is questionable.

One can’t help but imagine how much cheaper these film’s would be, if Jackson shaved half an hour off each one during the development stage.

Perhaps this feeling is wholly a question of taste at the end of the day; with nearly a $billion in gross takings for this first instalment as of Jan 2013, who am I to judge? But judge I will when I feel a creeping sense of the familiar and duplicated throughout.

I freely admit to not having read any of Tolkein’s much admired books. Perhaps I lack perspective on certain things, but as a film viewer and reviewer, it didn’t aid my enjoyment to come across settings already visited (the Dwarf city of Moria, where Gandalf was ‘killed’ in the first Rings film) and situations that smack of the ‘been there, seen it’ (the eagles who fly to the rescue, as in the second Rings film). This ‘samey’ feel probably explains why the London Evening Standard thought this was a ‘fair to middling return to Middle Earth’.

The set-pieces and special effects are, of course, magnificently realised. In terms of head-swirling spectacle, The Hobbit delivers in spades. 3D is used exceptionally well in many sequences, but if any film genre was made to be told in an extra dimension it is this. But this is par for the course; we know Jackson and his too-numerous-to-mention-individually technical team can deliver the goods here. He really needed a different tack to make this new trilogy stand out from it’s forbears.

The musical sequences are cute but a step in the wrong direction; are we heading into Cameron MacIntosh territory? Surely we want something other than Les Middle-arables. Could it be emotional intimacy in amongst the CGI? Are we hankering for less people but better character development?

Freeman is saddled with much of the dramatic weight of the film as his character is the main person who will progress and mature, but he is mostly sidelined until the film kicks into life (thank heavens we leave the Shire behind us). It will be interesting to see how far he pushes the next two films.

There are welcome returners in the cast, dotted amongst the newbies – Blanchett and Weaving as almost hypnotic Elvish leaders, Lee shows the beginnings of his turning to the dark side, Serkis is still unrecognisable as the dissociative Gollum. Of those new cast members who score strongest (or loudest at least), Nesbitt is Dwarf Bofur, Stott is older Dwarf Balin and former Dr Who McCoy makes a surprise cameo as a far too eco-friendly wizard (let’s just say it is no surprise he is known as ‘The Brown’). The dwarves help make sure that the comedy moments (such as when they are BBQ’d by two hungry trolls) carry the film along during the longuers. It’s a shame, then, that these are few and far between. Let’s hope that, as with the first part of Lord of the Rings, things pick up nicely after this lumbering character introduction.

 

The Impossible/Lo Impossible (2012)

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Film review by Jason Day of Lo Impossible/The Impossible about the Boxing Day Tsunami starring Naomi Watts.

Disaster

 

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Life of Pi (2012)

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Director: Ang Lee.

DRAMA

 

 

Producers: Ang Lee, Gil Netter.
Writer: David Magee.
Camera: Claudio Miranda.
Music: Mychael Danna.
Sets: David Gropman.

Suraj Sharma, Irrfan Khan, Rafe Spall, Ayush Tandon, Gautum Belur, Adil Hussain, Tabu, Gerard Depardieu, Andrea Di Stefano.

SYNOPSIS

A strange journey awaits the highly intelligent and ever curious Pi (Sharma as a teenager, Khan as an adult) when his family emigrate from India to Canada, taking with them the creatures from their zoo that they will sell on arrival. A storm sinks their ship leaving Pi adrift on a lifeboat, the only survivor. That is, apart from a ferocious tiger, enigmatically known as Richard Parker. Recounting his ordeal as an adult (Khan), Pi learns to subdue the tiger and coexist with it, he not only finds how to survive his ordeal mentally but begins to understand what God is.

REVIEW 

A film to put you in a good mood, despite the admittedly arduous plot line. For me it helped that the showing I attended featured no trailers or adverts – so a thumbs up before the opening credits had rolled!

A difficult novel to film, but Lee shows his extraordinary intelligence as a film-maker throughout. It’s always arguable whether the framing device of having flashbacks from a character to his younger self is either a necessary tool to position the narrative or an irritating, disposable stylistic folly that can weigh down the ebb and flow of the piece, but Lee has made sure to avoid this pit-fall. The seamless editing for a start sees us gently taken from wistful recollection to storm tossed seas, using the ripple of water as an appropriate lap dissolve between the two.

A lifeboat set film doesn’t inspire a viewer with confidence in the action stakes (Hitchcock’s Lifeboat being a suspenseful exception), but the time whizzes by thanks to a number of carefully spaced set-pieces from the magnificent, balletic shipwreck (rendered with sea-sickness inducing reality), a phosphorescent humpback whale breaching over Pi’s little boat and the downright bizarre ‘Meerkat Island’ (try comparing this community!). The tiger is brought to roaring life by the best CGI technicians, but Lee’s main achievement on the mechanical side of this film is to correctly utilise the 3D technology to embellish his story, rather than to swamp it or use only occasionally for throw away spectacle.

Pi is an engagingly resourceful character at all points in his life, enhanced by the pitch-perfect performances of those playing him. Each is able to show the progression of boy to man but Sharma, with no previous acting experience to his credit, should take most of the plaudits as the Pi who is cast adrift, but never loses his way. Khan has the lion’s share of the laughs as a jovial adult Pi. Depardieu makes an unexpected cameo as a foul, racist cook who abuses Pi’s family and almost starves them. Spall has a sweeter supporting turn as the Canadian novelist who wants to turn Pi’s history into a book.

Forget reviews that point out the similarities to the deeper aspects of Yann Martel’s novel, that being an existential rumination on the nature and form of God. Lee has paid decent lip service to this side of the story and a rich vein of religious and self discovery pervades the film. But he has wisely chosen to make something of beauty and wonder, as much as about the world around us than of a higher power, rather than trying to create a cinematic theology lecture.